Michael Ostrowski

Michael Ostrowski is an Austrian actor, writer, director and presenter who co-hosted the 2026 Eurovision Song Contest in Vienna.

Biography

Michael Ostrowski brought a long Austrian film and live-presenting career to an international audience as a co-host of Eurovision 2026.

Before Eurovision, he was known for German-language comedies including Nacktschnecken and for writing or directing several of his own projects.

Known for

Eurovision Song Contest 2026

He co-hosted the Vienna competition with Victoria Swarovski.[1][3]

Nacktschnecken

The 2004 comedy was his film breakthrough and one of his screenwriting credits.[2]

Der Onkel

He starred in, wrote and directed the 2022 film based on his novel.[2][5]

Career highlights

  1. Small Stage Training

    Improvisation began on small stages

    Ostrowski has connected his early Graz performances with his ability to read an audience during a large live broadcast.[4]

  2. Film Breakthrough

    Nacktschnecken established his screen career

    The 2004 comedy became his breakthrough and helped define his association with Austrian comic film.[2][1]

  3. Behind Camera Work

    He also writes and directs

    His credits include screenwriting on Nacktschnecken and Contact High and directing work on Hotel Rock'n'Roll and Der Onkel.[2][5]

  4. Eurovision Host

    Eurovision introduced him to a wider audience

    He and Victoria Swarovski presented the two semifinals and grand final from Vienna in May 2026.[1][3]

  5. Earlier Presenting

    Live hosting predated Eurovision

    Ostrowski had already presented Austrian theatre, music and broadcast-anniversary events before taking the international role.[2]

Good to know

He studied English and French

ORF reported that Ostrowski studied both languages in Graz before his international presenting assignment.[4]

Eurovision was not his first hosting job

He had presented the Nestroy Theatre Prize, Amadeus Austrian Music Awards and a radio-centenary programme.[2]

The contest required tightly planned live work

He described finding small spaces for personality between required announcements, voting explanations and production cues.[4]